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Robert Indiana, LOVE, 1966-1999 | Located on New York's Avenue of the Americas and 55th Street

About Love

Alex Guajardo August 7, 2017

There is something to be said for finding people with whom you can share your whole heart. Those people in whom you believe you've found your heart's equal, its match. Love can help you to see colors you hadn't seen before. Can bring the light back into your days. Love can show you the very best parts of you. Love can take better care of you than you can take care of you.

On this rainy Monday, I wanted to take a moment to remember the love that fills my heart and my days. It's in my morning cup of coffee, in hundreds of text messages from the most far-flung corners of the country, it sits on my chest and purrs to me, it breathes next to me in my bed. Love can be so easily forgotten, taken for granted, but isn't it also true that love can save the world?

Among the most recognizable images of art's long history–among the Mona Lisa, the Balloon Dog, Starry Nights–is Robert Indiana's monumental LOVE sculpture. My experience of it has been both in New York on one of the city's busiest corners and in Middlebury, Vermont where it sits by a pond and contemplates its reflection. Two more diametrically different locations could not be found, yet the message remains as impactful no matter where the piece is. In Middlebury, the piece helps to remind that love is real and tangible, a force larger than man, weightier than despair. In New York, a city alternately described as "oppressed", "frantic", "lonely" and "unforgettable", "intoxicating", "magical", Indiana's LOVE, again stands to remind those who pass to pause, take a moment to breathe, and remember to love. "Remember!" it urges us.

"Remember!"

Tags Robert Indiana, love, New York, Middlebury, Remember, Black and White, monumental sculpture, pop art

Jean-Léon Gérome, Pygmalion and Galatea, 1890

Pygmalion and Galatea

Alex Guajardo July 20, 2017

One fine day, Pygmalion carved the statue of a woman of unparalleled beauty. She looked so gentle and divine that he could not take his eyes off the statue. The spell the lifeless woman cast on him was too much to resist and he desired her for his wife. Countless were the nights and days he spent staring upon his creation… What had been cold ivory turned soft and warm and Pygmalion stood back in amazement as his beloved figurine came into life, smiling at him and speaking words of admiration for her creator.

Tags Jean-Léon Gérome, mythology, love, sculptors, painters, neoclassicism

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